Specifications:
- Model: Acoustic dreadnought type
- Bracing: scalloped X, with mahogany bracing on the back
- Scale length: 650 mm
- Neck width: 43.6 mm
- Body length: 500 mm
- Body width (bottom): 405 mm
- Body depth: 96/120 mm
- Top: solid A-grade Sitka spruce
- Back and sides: solid mahogany
- Neck : Indonesian mahogany
- Fingerboard: Indian rosewood
- Fingerboard binding: Indian rosewood
- Fingerboard radius: 14″
- Bridge: Indian rosewood
- Top colour: natural
- Body finish: Glossy (this is the difference from the D-220)
- Neck finish: Satin
- Rosette: 3 black and ivory rings
- Side purfling: black
- Back purfling: black
- Truss rod: active dual-action
- Frets: 2.4 x 1.1 mm, 18% nickel silver
- Nut and bridge: genuine bone
- Machine heads: chrome Derjung Deluxe
- Strings: D’Addario Bridge pins EXP-16: black, white core
- Pickguard: imported, 114D imitation tortoiseshell
- Strap button: chrome
RICHWOOD dreadnought guitar, entirely handmade, with solid spruce top, solid mahogany back and sides, glossy finish:
The “Richwood Master” series brings together all the acoustic guitars handmade from top-quality tonewoods and professionally set up before shipping.
The traditional dreadnought shape is ideal for strumming and flatpicking. The generous soundbox makes for excellent playability with a pick. The sound is rich in bass and carries well. Of course, you can play fingerstyle on a dreadnought, but if you only play fingerstyle, we recommend our A or P models. The solid Sitka spruce top and solid mahogany back and sides give a lively, light sound, more precise than our D-220 guitar. Try one and we are sure you will have found your partner for many years. This guitar comes with a 25 mm Richwood padded gig bag.
Its advanced technical and aesthetic features include bone fittings, a dual-action truss rod, a curved headstock, cotton-covered X-bracing, mahogany back bracing, high-end Derjung machine heads and D’Addario EXP16 coated phosphor bronze strings, made in the USA.








Antoine Robin –
Lutherie soignee et sonorite chaleureuse. Je la conseille pour le classique et le folk.
Géraldine David –
Bois magnifique, finitions soignées. Le sustain est remarquable.
Laurent André –
Un vrai coup de cœur. Elle est devenue ma guitare principale pour les concerts.
Virginie R. –
Elle sonne vraiment bien, même les cordes d’origine sont top.
Guillaume Faure –
Livrée parfaitement réglée, prête à jouer. Son équilibré sur toute la tessiture.